Celebration of Bob Hammer’s Life Concert

April 12, 2022 @ 7:30 pm
Celebration of Bob Hammer's Life Concert

Doors: 6:30pm

COVID PROTOCOLS: All events will require proof of vaccination to enter the venue, masks worn unless actively consuming food or drink, and we will be closely monitoring guidelines and recommendations to make sure we are doing everything we can to protect our community.

Advance tickets can only be purchased online-we do not sell advance tickets at the venue. Refunds are not available within 48 hours of the event. Tickets do not guarantee seating during shows at the Royal Room. Seating is currently first come first served. The Royal Room is All Ages until 10pm.

Join us for a musical celebration of Bob Hammer’s life, featuring members of The Full Circle Jazz Ensemble and The Seattle Repertory Jazz Orchestra.

Bob Hammer, celebrated composer/arranger/pianist,  had a long and successful career in New York and Los Angeles before coming to the Pacific Northwest. Born Howard Robert Hammer in Indianapolis, Indiana, Hammer played with many of the greats of the golden age of jazz in the 1950s and 1960s, including Charles Mingus, Bud Freeman, and Woody Herman.

Hammer began performing at age 15 before studying at Michigan State University and the Manhattan School of Music. He worked as an arranger for Mingus on several recordings, including the iconic albums The Black Saint and the Sinner Lady and Mingus Mingus Mingus Mingus Mingus. His career included tours and recording dates with Johnny Hartman, Gene Krupa, Clark Terry, Elvin Jones and others. He also had a stint as arranger for the Merv Griffin Show. During the 1960s, he studied with composer Henry Brant alongside Julian Priester. He wrote and arranged for several Las Vegas productions from 1967-1982, before moving to Los Angeles in 1983.

Since arriving in Seattle, Hammer was best known for his innovative work with the Full Circle Jazz Ensemble. The band released The Wheels Are Turning in 2017, to critical acclaim. The ensemble reflected his love for jazz from bebop to Latin, often with vocals and a dance rhythm. His arrangements bore the mark of his musical pedigree, groomed through decades of working with the masters of the genre.

Leave a Reply

Your email address will not be published. Required fields are marked *