Doors: 6:30pm

Tickets: $20 advance, $25 doors

Advance tickets can only be purchased online-we do not sell advance tickets at the venue. Refunds are not available within 48 hours of the event. Tickets do not guarantee seating during shows at the Royal Room. 

We are now accepting reservations for diners! After purchasing tickets, please visit the Reservations page to book a table. Table reservations require advance tickets, and are only for guests who plan to dine at the Royal Room.  We do not take reservations over the phone.

Seating for non-diners is first come, first served. Please arrive early to guarantee a seat!

The Royal Room is All Ages until 10pm.

CASEY NEILL www.caseyneill.com
“These are songs with stories well told” – Steve Earle

Casey Neill is a songwriter from Portland, Oregon performing high energy indie folk, infused with haunting melodies and weather beaten narratives. A prolific road warrior since the late 90s, Neill tours throughout the USA, Japan, and Europe, performing at venues such as Town Hall in New York, San Francisco’s Great American Music Hall, and the Newport Folk Festival. Two new albums of his songs are out in 2023 – one by his band Casey Neill & The Norway Rats (Sending Up Flares) and a solo CD of acoustic songs titled time zero land.  A self-produced collection of bedroom recordings, time zero land leans into the American folk and traditional Scots/Irish influences that have often underscored his songwriting craft and guitar work. The songs on Sending Up Flares and time zero land offer a lifeline to a world in need of balance, shot through with stories about resolve, resilience, and wonder.

HANZ ARAKI with Sam Vogt  www.hanzaraki.com

Considered one of the most talented Irish musicians in America today, flautist, whistle player, singer, and Juno Award-winner Hanz Araki has been lauded by publications and audiences alike.  Three decades of musical exploration into Irish, Scottish, Japanese, and American traditions has yielded his distinct style described by Fatea Magazine as “achingly beautiful.”

As the sixth generation of his family to bear the title Araki Kodo, Hanz (short for Hanzaburo, his great-great grandfather’s name) spent his formative years mastering the Japanese end-blown bamboo flute.  Discovering and relishing the melodic and mechanical similarities between shakuhachi and Irish whistle, Hanz applied his natural capacity and boundless curiosity to his Irish heritage.  Taking advantage of the rich Irish music scene in Seattle, where he spent his youth, Hanz quickly became known for his exquisite instrumental work on both Irish whistle and flute and a haunting singing voice that was born to tell tales.