Doors: 6:30pm

Tickets: $25 advance, $30 doors

Advance tickets can only be purchased online-we do not sell advance tickets at the venue. Refunds are not available within 48 hours of the event. Tickets do not guarantee seating during shows at the Royal Room. 

We are now accepting reservations for diners! After purchasing tickets, please visit the Reservations page to book a table. Table reservations require advance tickets, and are only for guests who plan to dine at the Royal Room.  We do not take reservations over the phone.

Seating for non-diners is first come, first served. Please arrive early to guarantee a seat!

The Royal Room is All Ages until 10pm.

Zony Mash made their debut in late 1995 as the unofficial house band at the OK Hotel in Seattle, where the band developed their sounds with months of weekly gigs. In Zony Mash you’ll hear a wide variety of influences, including sixties-style psychedelic rock, blues, funk, New Orleans and definitely some sounds that could only be described as being from outer space.

Set one: Zony Mash Classic Final Set Ever

Wayne Horvitz – Hammond B-3, Keyboards

Tim Young – Guitar

Keith Lowe -Bass

Andy Roth – Drums

Set two: Zony Mash Post Mortem: Electric Circus plays Zony Mash (plus a little Meters, Sun Ra, and Grateful Dead circa 1967).

Ayesha Brooks – Vocal

Alex Guy – Violin

Hans Teuber – Sax

Leanna Keith – Flute

Greg Sinibaldi – Sax

Stephanie Richards – Trumpet

Beserat Tafesse  ­– Trombone

Kathy Moore – Guitar

Ryan Burns – Electric Piano

Geoff Harper – Bass

Greg Campbell – Percussion

Tim Young – Guitar

Keith Lowe – Bass

Andy Roth ­– Drums

Wayne Horvitz – Conduction

Special Guest – Robin Holcomb

From Wayne Horvitz about the Final Concerts: In 2004 I decided to stop doing Zony Mash as a touring band and we did some farewell shows.

At the time I had determined that I wanted to do the occasional Zony Mash plus Horns project, a configuration that I felt hadn’t really blossomed into its full potential.

So we did a west coast tour and a European tour and that was fantastic. When the Royal Room opened, having a club right near by with my own Hammond B-3 took away a lot of the impediments, so we did some more shows with horns, including a 4 night residency, resulting in a double CD. Over time we started doing the quartet again as well, usually around Christmas when guitarist Tim Young was home for the holidays.

Now I am determined to bring it all to a close. Its been a quarter of a century, and we’ve had a great run. My focus is on acoustic music primarily, composing, conduction and improvisation. and above al the piano – frankly I rarely play the B-3 Organ. So we say farewell, and my gratitude to the band, including the late, great Fred Chalenor knows no bounds.

Thank you to musicians and fans alike.